Search: Directed by Ron Howard

This film explains why the public are so reluctant to fund universities.

Apollo 13 is one of my favourite films, it's one of those films that stirs my sense of discovery, as well as plunder our collective dreams.

Russell Crowe carries the can and he does so with honour and the can becomes a trophy, richly deserved.

Bolt has a maturity over its predecessors in that the film doesn't obsess over its need to stick something in your face every few minutes.

Howard’s documentary is candid and enlightening.

[Braddock's] struggle makes for great viewing and a terrific story.

Here is an example of why Guttenberg was so popular - the cheeky chappy with the cute smile.

Ron Howard directs without flair, but with respect for the source material.

There are a couple of good laughs but they certainly don't carry two hours of film.

None of the characters are interesting. They slip into stereotype and stay there, grinning.

It is breezy, bright, brilliant.

It’s Frank Langella’s towering interpretation of Nixon that eventually makes every other character real.

The slapstick is not funny, it's violent. A sensitive child will be shocked to tears.

Recycled, repetitive and dull, Hillbilly Elegy strives for sincerity but lacks sufficient conviction to be either meaningful or entertaining.

Class and experience divisions form the bulk of the interpersonal drama and it’s as predictable as expected, with the added tedium of Hemsworth apparently defaulting back to weirdly out of place Asgardian diction, bellowing like Thor at every little thing

The Missing is an entertaining film, but it feels overlong at 130 minutes and Maggie is so saintly and cold that it's hard to fully engage with her.

The honesty and decency of his character never forces the narrative into areas of embarrassment.

Undoubtedly a classy mainstream product.

Solo is an exercise in retroactive continuity, and its ability to create peril is itself imperilled by what we know to follow after.

The joy is in the animation, with the non-speaking characters, particularly Rapunzel's chameleon pet and dogged palace horse Maximus stealing every scene they are in.

Lucas and Howard's often-dark adventure is still an enjoyable sword-and-sorcery tale.

Although the narrative beats don’t sear with originality, it is clever and has enough nuance and ambiguity to keep folks guessing right up until the finale, with a cast of characters throughout that are a genuine treat.

A serviceable family film.